@10xmylife: Today I want to share with you how I earned 100,000 yuan through self-media. Last year, encouraged by a few friends, I started trying to take commercial orders through self-media. From this year, I actually began taking it seriously. By the end of July, my income had just exceeded 100,000. So in this post, I want to share my journey from the first order to...

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Summary

The author shares his experience of earning 100,000 yuan by taking commercial orders on Xiaohongshu (RED), including activating Pugongying (Dandelion), rebate rules, collaborating with intermediaries, the content creation process, and using AI tools to assist creation.

Today I want to share with you how I earned 100,000 yuan through self-media. Last year, encouraged by a few friends, I started trying to take commercial orders through self-media. From this year, I really began to take it seriously. By the end of July, my income had just exceeded 100,000. So in this post, I want to share with you the complete process from starting to take orders to final settlement. Behind the Scenes of Commercial Collaboration First, let me briefly explain why bloggers are able to receive commercial orders. Behind a commercial order, there are usually four roles: the brand, the intermediary, the blogger, and the content platform. The brand has products that need promotion, so it hands the promotion needs to an intermediary. The intermediary then finds suitable bloggers, who produce content according to the requirements, publish it on the platform, and finally complete the settlement. At present, most of my income comes from Xiaohongshu (RED). If you want to take commercial orders on Xiaohongshu, the first step is to activate 'Pugongying' (Dandelion). Take the rules when I activated it as an example: once your follower count exceeds 1,000, you can apply to activate Pugongying, signaling to the platform and brands that you are open to commercial collaboration. After activation, your account enters a status available for collaboration, and then intermediaries may start coming to you with inquiries. Preparation Before Confirming Collaboration For example, you might see a message like this in Xiaohongshu's system notifications—it's an inquiry, and you can directly add the contact information. Why is it that most of the time, the ones contacting you are intermediaries rather than brands? Because brands rarely contact ordinary bloggers directly. Unless you're a top-tier blogger, or your account has very unique advantages and the brand feels you're especially suited to the project, only then might they arrange for an internal employee to liaise with you directly. More often, brands hand their promotion needs to various intermediaries or media agencies. After receiving the brief, the intermediary looks for appropriate bloggers based on brand budget, account type, and content direction. During this process, you'll often hear a term called 'rebate' (fandiǎn). In simple terms, it's the intermediary taking a percentage of the blogger's order quote as commission. For example, a blogger's video quote is 10,000 yuan. Based on what I've encountered, the rebate ratio intermediaries require is usually between 30% and 45%. In other words, although the blogger receives an order worth 10,000 yuan, they need to give 3,000 to 4,500 yuan back to the intermediary, ending up with roughly 5,500 to 7,000 yuan themselves. The intermediary's daily work is to collect a large pool of interested bloggers, then decide which ones to collaborate with based on rebates and profit margins. Apart from rebates, you'll also encounter a few common terms when taking commercial orders: - Rebate: the commission ratio the intermediary requires. - On-book (shuǐshàng): refers to reporting through the platform and completing the collaboration. - Off-book (shuǐxià): refers to not reporting through the platform. - Slot (dàngqī): the scheduled publishing time for the content. I think the hardest part of taking commercial orders is the beginning. When you don't have any cooperation cases yet, few brands or intermediaries will come to you proactively, and you yourself don't know where to find orders. But once you complete the first few collaborations and gradually build up some cases, more and more intermediaries will start coming to you with inquiries. Everything is hard at the start, but it gets much easier afterward. The Process of Producing Commercial Orders Once both parties confirm the collaboration, the intermediary will send you a brief. This brief will clearly outline the specific creative requirements, such as which products to introduce, which features to highlight, which hashtags to include, and what content is not allowed. Most of the commercial orders I've received so far are related to AI. For example, large model updates, hands-on tests of Agent products, and some AI industry news content. After receiving the brief, you enter the most time-consuming step in the entire process: content creation. If you have to handle multiple commercial orders at the same time, writing everything from scratch on your own would put enormous time pressure on you, so at this step, I basically use AI tools to assist with creation. I usually throw the brief into Codex first, letting it help me sort out the key points, including the information that must appear, the wording to avoid, and what the brand really wants to convey. After sorting out these requirements, I'll continue brainstorming with it to decide on the topic, content angle, and basic outline. Once the outline is confirmed, the next step is to submit a script. The 'script' here simply means clearly writing out your creative approach. Whether the final output is a video or an illustrated article, as long as you follow this script, you can basically produce the final content. After the script is reviewed by the intermediary and the brand, and confirmed to be fine, it moves into the official execution stage. If it's a video, you start shooting; if it's product experience content, you first actually use the product and document the experience. Finally, you compile these materials into a video or illustrated draft and submit it to the intermediary and brand for final review. Once it passes review, it can be officially published. If it's an on-book collaboration, you need to link the corresponding Pugongying order when publishing. If it's an off-book collaboration, you simply publish directly according to the method agreed by both parties. After the content is published and meets the relevant requirements, after waiting a while, the process enters the final settlement stage. Summary The above is roughly the complete process of a commercial order, from initial contact to settlement. Looking back, the most time-consuming part of the entire process is still content creation. As a creator, the places truly worth spending time on are the topic, the cover, and the content itself. As long as these parts are done well enough, the account has a clear direction and consistent content quality, you won't really lack commercial orders. Of course, I'm still slowly figuring this out myself. I still feel that my own content isn't good enough, and there are many areas where I can continue to improve. But in the future, as soon as I have new insights, run into new pitfalls, or figure out more efficient methods, I'll be sure to share them with everyone right away. OK, I'm Haiming, and I'll share more with you next time.
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Cached at: 08/09/26, 07:14 AM

Today I’d like to share with you how I earned 100,000 RMB through self-media.

Last year, encouraged by a few friends, I started trying to take on commercial orders through self-media.

But it wasn’t until this year that I really started taking it seriously. By the end of July, my income had just crossed the 100,000 RMB mark.

So in this post, I want to share the entire process with you — from getting my first order to finally getting paid.

What’s behind a commercial collaboration

Let me first briefly explain why bloggers can get commercial orders in the first place.

Behind every commercial order, there are typically four roles: the brand, the intermediary, the blogger, and the content platform.

The brand has a product that needs promoting, so it hands the promotional requirements to an intermediary. The intermediary then finds suitable bloggers, who produce content according to the requirements, publish it on the platform, and finally get paid.

Most of my current income comes from Xiaohongshu.

If you want to take on commercial orders on Xiaohongshu, the first step is to enable “Dandelion” (蒲公英).

Using the rules from when I first enabled it as an example: once your follower count exceeds 1,000, you can apply to enable Dandelion, signaling to the platform and brands that you’re open to commercial collaborations.

Once enabled, your account enters a state where you’re available for collaborations, and intermediaries may start sending you inquiries.

Preparation before confirming a collaboration

For example, you might see a message like this in your Xiaohongshu system notifications — that’s an inquiry, and you can directly add the contact information.

Why is it that most of the time, it’s intermediaries who contact you, not brands?

Because brands rarely contact ordinary bloggers directly.

Unless you’re a top-tier blogger, or your account has some very unique advantage that makes the brand feel you’re especially suited for a project, brands will only then arrange for their in-house staff to work with you directly.

More often than not, brands hand their promotional needs to various intermediaries or media agencies.

Once the intermediary receives the requirements, they look for suitable bloggers based on the brand’s budget, account type, and content direction.

Throughout this process, you’ll often hear a term called “rebate” (返点).

In simple terms, it’s the intermediary taking a percentage commission from the blogger’s order quote.

For example, say a blogger’s video quote is 10,000 RMB.

Based on what I’ve encountered, the rebate percentage intermediaries typically ask for ranges from 30% to 45%.

In other words, even though the blogger got a 10,000 RMB order, they need to give 3,000 to 4,500 RMB back to the intermediary, leaving them with roughly 5,500 to 7,000 RMB in the end.

The intermediary’s daily job is to collect a pool of interested bloggers, then decide which ones to work with based on rebates and profit margins.

Besides rebates, there are a few other common terms you’ll encounter when taking commercial orders:

  • Rebate (返点) – the commission percentage the intermediary requires.
  • On-book (水上) – referring to collaborations that are registered and completed through the platform.
  • Off-book (水下) – referring to collaborations not registered through the platform.
  • Slot (档期) – the scheduled time for publishing the content.

I think the hardest part of taking commercial orders is actually the beginning.

When you don’t have any collaboration case studies yet, few brands or intermediaries will proactively reach out to you, and you don’t even know where to go to find orders yourself.

But once you’ve completed your first few collaborations and gradually built up some case studies, more and more intermediaries will start coming to you with inquiries.

Everything is hard at the start, but it gets much easier afterward.

The production process for a commercial order

Once both sides confirm the collaboration, the intermediary will send you a brief.

This brief will clearly outline the specific creative requirements — what product needs to be introduced, which features to highlight, what hashtags to include, and what content you’re not allowed to mention.

Most of the commercial orders I’ve received so far are AI-related.

For example, large model updates, hands-on tests of Agent products, and some AI industry news content.

After receiving the brief, you move into the most time-consuming step of the entire process: content creation.

If you’re handling multiple orders at the same time, writing everything from scratch on your own puts enormous time pressure on you. So at this stage, I basically use AI tools to assist with the creation.

My usual approach is to first feed the brief to Codex and have it help me organize the key points — including the information that must appear, the phrasing that needs to be avoided, and what the brand is really trying to communicate.

Once these requirements are sorted out, I continue brainstorming with it to nail down the topic, content angle, and basic outline.

After the outline is confirmed, the next step is submitting the script.

The “script” here is really just writing out your creative approach clearly.

Whether the final output is a video or a text-and-image post, as long as you follow that script, you’ll basically get the final content.

Once the script passes review by the intermediary and the brand, it moves into the actual production phase.

If it’s a video, you start filming. If it’s a product experience piece, you actually use the product and record the experience.

Finally, you assemble the footage into a video or a written post, and submit it to the intermediary and brand for final review.

After it’s approved, you can officially publish.

If it’s an on-book collaboration, you need to link the corresponding Dandelion order when publishing. If it’s an off-book collaboration, you just publish directly as agreed between both parties.

After the content is published and meets the relevant requirements, you wait a certain period of time, and then comes the final settlement step.

Summary

So that’s roughly the complete process of a commercial order, from initial contact to final settlement.

Looking back, the most time-consuming part of the whole process is still content creation.

As a creator, the places truly worth spending your time on are the topic selection, the cover image, and the content itself.

As long as you do those parts well enough, have a clear direction for your account, and maintain consistent content quality, commercial orders won’t really be scarce.

Of course, this is something I’m still exploring myself. I still feel like my content isn’t good enough, and there are many areas where I can continue to improve.

But as long as I gain new insights, step on new pitfalls, or figure out more efficient methods, I’ll share them with you as soon as possible.

OK, I’m Haiming. I’ll share more with you next time.

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