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This paper investigates whether LLM translations exhibit identifiable emotional profiles and how post-editing reshapes them toward human-like norms, using a comparative study of Margaret Atwood's 'Oryx and Crake' translated to Italian.
This paper introduces Agentic AI Translate, an agentic translator prototype that replaces the traditional text-in/text-out paradigm with a four-stage agentic cycle grounded in translation studies theory, aiming to reframe translation as communication design rather than text conversion.